Since I started working with aspiring writers in December of last year (with my old project that’s currently on hiatus, The Adept Writer, a literary journal designed to promote the work of aspiring writers), I’ve seen a lot of writing from unknown writers. The quality of the work has varied. A writer like Russell Zintel of the University of New Hampshire really impressed me with the quality of his poetry. One fan of the website wrote in to say that he was the next Tao Lin. Maybe.
I met an aspiring writer named Zubair Simonson about six weeks ago. I have some advertising for the website on my briefcase (I admit it looks funny, but it gets the word out.) He noticed it, and after our brief conversation, he sent me the first chapter of his novel. It knocked me out.
After I read Zubair’s chapter, we set up a meeting to discuss his prospects. He asked me if he should query literary agents. Zubair had previously self-published one book that received unanimously great reviews from those who read it, but like most self-published authors, very few people had read his book.
My concern was Zubair’s platform. He had done a few smart projects in film and web TV as an actor and director, but they were not in Hollywood or even in an independent studio, but homemade movies with friends. He blogged for a religious organization, but his name was not huge in that sphere. He had a self-published book that anyone who read loved, but almost no one had read it.
Still, I told Zubair that he should query a literary agent.
Any aspiring writer should query a literary agent. The worst that could happen is nothing.
Now certainly many literary agents will refuse taking on a client that has no platform. If you haven’t been published in big literary journals, if you don’t have an MFA, if you’re not known in some other sphere, even if your work is dynamic, you will still probably get passed on; however, why adopt a loser’s mentality and not even try?
When you’re an aspiring writer, you need to go for the throat. You need to make things happen. Yes, most likely, if you don’t have a platform, if you don’t have an MFA, if you haven’t published in big literary journals or won contests, and if your work is mediocre or poorly edited, you don’t really have much of a chance. Still, if you work to accomplish as much as you can within where you’re at, then it’s certainly worth a shot. You have nothing to lose and everything to gain.